Cinematographer Autumn Durald Arkapaw Captures Jack O’Connell’s Grand Entrance in Ultra Panavision 65mm
Autumn Durald Arkapaw, a prominent cinematographer, is once again making waves in the film industry. Recently, she worked with Ryan Coogler on the screenplay for the upcoming film “Sinners.” This collaboration has led to innovative cinematography, particularly in capturing key scenes with cutting-edge technology.
Cinematic Innovation in “Sinners”
“Sinners” is set in the Mississippi Delta during the Jim Crow era and stars Michael B. Jordan in a dual role as identical twins, Smoke and Stack. These characters return home after experiencing the Chicago mob, aiming to establish a juke joint for the community. However, their plans are disrupted by vampires on the night of the juke’s grand opening.
Autumn Durald Arkapaw made headlines for being the first cinematographer to utilize 65mm film in IMAX. This decision emerged during the filming process, moving away from the Super 16 format used previously by Coogler in “Fruitvale Station.”
Transition to Large Format
During early discussions with the visual effects supervisor, the team expanded its concepts. Arkapaw explains that the twins’ storyline needed a stable filming format. Initially leaning towards 35mm, the filmmakers were prompted by the studio to explore large formats. They conducted tests in the California desert, experimenting with both IMAX 35mm and 65mm. The inspiration for this direction stemmed from Quentin Tarantino’s “The Hateful Eight.”
The tests were screened at FotoKem and IMAX headquarters. The experience solidified their decision to capture the film in a more expansive format.
Jack O’Connell’s Grand Entrance
One of the notable scenes features Jack O’Connell portraying a vampire named Remmick. His grand entrance is both impactful and visually striking, with a farmhouse visible in the background and birds circling over the frame. Arkapaw highlighted this as a particularly favorite moment from the script. It was originally intended to open the film, showcasing Coogler’s talent for crafting captivating visuals.
This scene, set during the magic hour, was designed to symbolize the dramatic entry of Remmick. Arkapaw had just two days to film it, which included capturing the critical moment when Remmick approaches a farmhouse, seeking refuge from imaginary Choctaw Indians. Arkapaw describes this moment as a highlight of the shooting experience, emphasizing the need to get the entrance just right.
Challenges and Technical Mastery
Filming was not without difficulties. One shot, featuring a dramatic view of the setting sun, faced a hiccup when the IMAX camera jammed moments before the crucial scene was to be filmed. The team managed to resolve the issue just in time to capture the breathtaking sunset, ensuring that the storytelling remained visually stunning.
In conclusion, Autumn Durald Arkapaw’s work in “Sinners” exemplifies how innovative techniques can shape cinematic storytelling. With her expertise in capturing scenes in Ultra Panavision 65mm, audiences can anticipate a visually immersive experience.
