Dakota Johnson is set to make her feature directorial debut with the film, “A Tree Is Blue.” The talented actress is currently in discussions with Charli XCX and Jessica Alba to join the cast. Vanessa Burghardt has penned the script for the film and is also in talks to take on a starring role.
A Tree Is Blue: Production Details
Production is scheduled to kick off next month in Los Angeles. While specific plot details have yet to be revealed, the project is generating significant interest. CAA Media Finance will manage the film’s sales, while Rivulet Entertainment is taking responsibility for financing.
Key Contributors
- Director: Dakota Johnson
- Producers:
- Dakota Johnson
- Ro Donnelly
- Sam Racanelli (TeaTime Pictures)
- Rob Paris
- Mike Witherill (Rivulet Entertainment)
- Executive Producers:
- Hyunji Ward (TeaTime)
- Rick Steele
Background on Key Players
Dakota Johnson, who previously directed the short film “Loser Baby” at the Toronto International Film Festival, has an impressive acting background that includes “Splitsville” and “The Materialists.” Vanessa Burghardt, making her screenwriting debut, co-starred with Johnson in “Cha Cha Real Smooth.”
Charli XCX, a Grammy-winning artist, is transitioning into acting. She is set to produce and star in the A24 film “The Moment” and has appeared in projects like “Faces of Death” and “I Want Your Sex.” Jessica Alba, known for her work in “Trigger Warning,” is also involved in the upcoming biographical sports film “Maserati: The Brothers,” where she shares the screen with heavyweights like Anthony Hopkins and Al Pacino.
Representation Overview
| Name | Representation |
|---|---|
| Dakota Johnson | CAA, Untitled Entertainment, Johnson Shapiro |
| Vanessa Burghardt | Arise Artists Agency, Bloch Law |
| Charli XCX | CAA, Good World Management |
| Jessica Alba | UTA, 3 Arts Entertainment, Sloane Offer |
The collaboration of these prominent figures marks an exciting new chapter in the film industry, with “A Tree Is Blue” expected to captivate audiences upon its release.
