Recently, David Draiman, lead singer of Disturbed, publicly endorsed Caleb Shomo of Beartooth after the band faced backlash over their latest single, “Free.” Released on February 27, the track marks Beartooth’s debut with Fearless Records, following a long tenure with Red Bull Records. The upbeat, pop-infused sound and Shomo’s flamboyant presentation in the music video, featuring eye makeup and glittery outfits, sparked mixed reactions among fans.
Support from David Draiman
Draiman took to social media to express his admiration for Shomo’s artistic expression. He commended Shomo as a rising star in rock music, drawing comparisons to iconic figures such as David Bowie and Freddie Mercury.
In his post, Draiman emphasized the essential nature of flamboyance in rock, stating, “Some of the greatest frontmen of all time have never held anything back.” He lauded Beartooth’s effort, declaring both the song and video successful and praising the band for their vibrant energy.
Fronz’s Controversial Remarks and Apology
In a contrasting narrative, Chris Fronzak, lead vocalist of Attila, issued an apology for comments he made following the single’s release. Fronz initially made a dismissive remark about Shomo, which he later clarified as a misguided joke.
- Date of Apology: March 3
- Key Points of Fronz’s Statement:
- The comment was not intended as a jab at gay individuals.
- He acknowledged the sarcasm may not have been received as intended.
- Fronz expressed his desire to contribute positively and avoid adding to the negativity in the world.
Fronz has faced his own share of harsh comments online, contributing to a perspective that can influence his humor. He concluded his statement by recognizing the importance of empathy and understanding in conversations, stating, “You never know what someone is going through.”
Conclusion
The responses from Draiman and Fronz highlight the complexity of artist interactions and the impact of social media. As Beartooth continues to evolve, support and open dialogue remain crucial in navigating criticisms within the music community.
