The behind-the-scenes drama of Tupac Shakur and Janet Jackson during the filming of *Poetic Justice* has recently come to light in Jeff Pearlman’s upcoming book, *Only God Can Judge Me: The Many Lives of Tupac Shakur*, set for release on October 21, 2025. The film, directed by John Singleton, featured Tupac as Lucky, a postman, alongside Jackson, one of the biggest pop stars of the era.
Tupac’s Journey to *Poetic Justice*
After gaining attention for his role in *Juice*, Tupac was chosen by Singleton for *Poetic Justice*. His audition in Reed’s office showcased a handsome connection between him and Jackson. They shared their aspirations in music and acting, creating an immediate chemistry. However, Tupac’s post-screen test comments about Jackson revealed a more brash side, as he boldly declared his attraction to her.
Challenges on Set
The filming spanned from April 14 to July 4, 1992, and included rising stars Regina King and Joe Torry. Singleton aimed to foster camaraderie among the cast, but awkward dynamics quickly surfaced. Janet was treated as a premiere star, given a lavish suite while Tupac occupied a much smaller room.
Financial Disparity
The financial imbalance between them was striking. Reports indicate that Janet earned seven figures while Tupac made less than $100,000. This disparity created tension, as Tupac felt underappreciated compared to his co-star, leading to resentful comments about her privileges on set.
Tupac’s Work Ethic
While Janet exhibited professional discipline, Tupac struggled with punctuality and line memorization. His behavior shifted from being occasionally late to significant delays, often arriving hours behind schedule. His approach to acting became erratic, as alcohol and marijuana use affected his performance. Others noted that, despite his talent, his late arrivals were disruptive.
Clash During Kissing Scene
The tension peaked during preparations to film a kissing scene. Jackson expressed reservations, requesting that Tupac undergo an AIDS test before the scene. This led to an explosive confrontation; Tupac’s reaction was dismissive and combative, refusing to submit to Jackson’s request. This confrontation highlighted the complex interactions between them amid the high-stakes environment of filmmaking.
Conclusion
The narrative revealed in Pearlman’s book encapsulates the tumultuous nature of filmmaking in the early ’90s, marked by notable disparities in treatment between established stars and rising talents. The *Poetic Justice* set serves as a microcosm of larger industry dynamics, showcasing how personal and professional connections can intertwine amid the pursuit of cinematic art.
