The world of “Tron” has returned with the release of “Tron: Ares.” This highly anticipated sequel reopens the digital grid, 43 years after the original film debuted. The storyline centers around Ares, portrayed by Jared Leto, an advanced computer program questioning his commands from CEO Julian Dillinger, played by Evan Peters. Ares embarks on a journey into the real world to locate Eve Kim, the current head of Encom, portrayed by Greta Lee. This quest blurs the lines between digital programs and reality, particularly as both Encom and Dillinger Systems seek Kevin Flynn’s permanence code.
Production Designer Insights
Darren Gilford served as the production designer for “Tron: Ares,” returning to the franchise after his work on “Tron: Legacy.” For him, this project provided a chance to revisit ideas that were initially shelved during the pre-production of a proposed sequel to the 2010 film, directed by Joseph Kosinski. Gilford states, “There were a lot of things that carried over.” He reminisces about starting concept art back in 2015 and working alongside a different team then.
Innovations in Lightcycle Design
- The production included life-size Dillinger lightcycles for key chase scenes.
- These vehicles were designed to reflect a military-esque aesthetic.
- Practical functions were prioritized, making the bikes visually impactful on-screen.
During the development, the team focused on establishing rules for the lightcycle, ensuring it featured two essential riding positions and an aggressive speed mode. “The most important things were that the light cycle had to have two critical riding positions,” Gilford explains. The design envelops the rider, merging man and machine seamlessly.
Technical Features of the Lightcycles
To enhance the lightcycles, Gilford and the design team introduced a unique power source. This consisted of a yellow gyro that spins and animates, providing the necessary energy for the bikes throughout filming. “That yoke is the heart of the bike,” Gilford notes, emphasizing its role in the bike’s mobility.
A Practical Approach to Filmmaking
“Tron: Ares” marks a significant evolution in the franchise, as it is the first time practical light cycles were built for the films. Gilford highlights that unlike “Legacy,” where most bikes were created digitally or for marketing purposes, actual bikes were utilized during filming. Director Joachim Rønning insisted on having real bikes on set wherever possible. Gilford’s background in car design added valuable insights to creating these innovative vehicles, making the project especially rewarding for him.
In summary, “Tron: Ares” not only reimagines the iconic lightcycles but also connects the new film to the legacy of its predecessors, enhancing the cinematic experience with practical effects and thoughtful design.
