In a recent episode of his late-night show, Jimmy Kimmel engaged in a thought-provoking discussion with comedian Aziz Ansari about the Riyadh Comedy Festival in Saudi Arabia. The festival, running from September 26 to October 9, has sparked considerable debate due to its ties to the Saudi regime, led by Crown Prince Mohammed bin Salman.
Debate Surrounding the Riyadh Comedy Festival
Kimmel questioned Ansari’s choice to perform at this state-sponsored event, stating that many comedians were upset about the festival’s implications. He highlighted concerns regarding the human rights record of the Saudi government, particularly referencing the controversial murder of journalist Jamal Khashoggi in 2018.
Ansari’s Perspective
In response, Ansari explained that he had extensively considered his decision to perform. He sought advice from his aunt, who had lived in Saudi Arabia, and stressed that not all citizens support government actions. He stated, “Ascribing the worst behavior of the government to the people isn’t fair.”
Ansari further argued that engaging with audiences in repressive societies can foster dialogue and openness, especially in a young nation where over half the population is under 25. He said, “You kind of have to make a choice of whether you’re going to isolate or engage.”
Reactions from the Comedy Community
The festival has seen mixed reactions from comedians. Some, like Marc Maron and Atsuko Okatsuka, publicly criticized performing there. Maron quipped about the Saudi regime’s actions on his podcast, while Okatsuka shared her decision to decline an invitation due to the source of funding.
- Marc Maron criticized the festival for its ties to the Saudi government.
- Atsuko Okatsuka declined to perform, citing the funding’s source and contractual restrictions.
Other comedians, however, defended their participation. Bill Burr described his experience as one of the best, while Louis C.K. viewed it as a productive opportunity to foster discussions. Dave Chappelle also emphasized the relative ease of conversation in Saudi Arabia compared to the U.S.
Financial Implications of the Festival
Pay for comedians at the Riyadh Comedy Festival has been substantial, with reports indicating earnings ranging from mid-six figures to $1.6 million per performance. This lucrative offer has led some to prioritize financial gain over political considerations.
Conclusion
The Riyadh Comedy Festival has emerged as a focal point for debates regarding ethics in entertainment and the responsibility of artists in politically sensitive environments. As comedians navigate these complex dynamics, the dialogue surrounding artistic engagement in repressive regimes is likely to continue.
