In recent weeks, conservative commentators have sharply criticized Paul Thomas Anderson’s film, One Battle After Another, which has amassed over $100 million in worldwide box office earnings. The film is based on Thomas Pynchon’s 1990 novel Vineland and follows the journey of a father, Bob Ferguson, played by Leonardo DiCaprio, as he attempts to rescue his daughter, Willa, from a corrupt military officer.
Overview of the Film
One Battle After Another intertwines elements of action, drama, and political commentary. The story’s protagonist, Bob Ferguson, is a washed-up revolutionary facing profound challenges as he navigates a world of political unrest and extremist factions.
Main Characters
- Bob Ferguson (Leonardo DiCaprio): The main character and a disgraced revolutionary.
- Willa (Chase Infiniti): Bob’s daughter, held captive by the antagonist.
- Steven Lockjaw (Sean Penn): The main antagonist seeking power within a secret white supremacist organization.
- Perfidia Beverly Hills (Teyana Taylor): An ardent revolutionary associated with Bob.
- Sensei Sergio (Benicio del Toro): Operates an Underground Railroad-style network for undocumented immigrants.
Conservative Critique
Prominent conservative figures, such as Ben Shapiro, have labeled the film as an “apologia for radical left-wing terrorism.” Others, including Armond White from National Review, described it as the “year’s most irresponsible movie.” Critics argue that the film promotes violence against government institutions like ICE.
Key Themes and Controversies
The film addresses themes of political violence, revolution, and the consequences of extremism. Notably, a riot scene features an undercover cop initiating violence, which has drawn ire from many conservative viewers. Critics suggest that the portrayal of Lockjaw and his extremist club critiques elements of the American government.
Audience Reactions
- Many conservatives focus on the film’s initial scenes, which depict revolutionary acts such as freeing migrants from detention centers.
- Critiques often draw parallels between the film’s fictional radicals and real-life movements, including antifa.
Despite its lengthy runtime, the early segments seem to dominate the conservative criticisms. However, these critiques often miss the film’s deeper narrative about community and the costs of challenging oppressive systems.
Conclusion
Paul Thomas Anderson maintains that One Battle After Another carries a message of optimism amid its chaotic portrayal of rebellion. He reflects on the necessity of hope, especially in a time when negativity often prevails in popular cinema. This unique blend of drama and political commentary invites viewers to confront uncomfortable truths while envisioning a hopeful future.
