André De Shields and LaChanze, two prominent figures in the theater world, recently visited the Schomburg Center for Research in African American Culture. This event commemorated African American History Month and showcased the rich cultural heritage they represent.
Visit to the Schomburg Center
The Schomburg Center, located in Harlem, offers resources for the preservation and research of African American history. Founded in 1925 and designated as a National Historic Landmark in 2017, it houses over 11 million items related to African American culture and experiences.
Exploration of Archives
During their private tour, De Shields and LaChanze explored archives that highlighted ballroom culture and African American theater history. Their journey included viewing:
- Rare photographs
- Original scripts
- News clippings
- Artifacts documenting African American queer expression
This valuable collection underscored the significant contributions of both artists to the broader narrative of American theater.
Personal Connections
For De Shields, the visit was especially meaningful. He rediscovered rare black-and-white photographs from his time in the iconic production of “The Wiz.” Meanwhile, LaChanze connected with materials that showcase the resilience of African American creatives and even signed her first children’s book, “Little Diva,” which enriched the archives.
Significance of Their Work
Both artists are known for their groundbreaking careers. De Shields is celebrated for his roles in productions like “CATS: The Jellicle Ball,” a stunning reinterpretation of the classic musical. LaChanze is recognized as a powerful producer and performer dedicated to amplifying diverse voices in theatre.
CATS: The Jellicle Ball
The production of “CATS,” inspired by T.S. Eliot’s poetry, features choreographed sequences influenced by ballroom culture. Directed by Obie Award-winners Zhailon Levingston and Bill Rauch, the show has received acclaim for its vibrant choreography and compelling music.
A Legacy of African American Theatre
The visit to the Schomburg Center was more than an educational experience. It highlighted the ongoing dialogue between archival history and contemporary performance. Through the approaches of De Shields and LaChanze, African American theater continues to celebrate its past while shaping its future.
