Ryan Reynolds Invests Personal Funds for John Candy Prop in Deadpool Films

In a notable investment decision, Ryan Reynolds has utilized his personal funds to rent a prop from the classic film “Planes, Trains and Automobiles.” This gesture reflects his admiration for the late John Candy and his commitment to honoring the comedic legacy associated with the film.
Ryan Reynolds’ Tribute to John Candy
Reynolds, well-known for his role in the “Deadpool” series, integrated a unique reference to Candy’s character. In both “Deadpool” and “Deadpool 2,” audiences can spot a prop book titled “The Canadian Mounted,” read by Candy’s character, Del Griffith. The book serves as a clever nod to die-hard fans of the actor.
Background on “Planes, Trains and Automobiles”
Released in 1987, “Planes, Trains and Automobiles” features Steve Martin as Neal, a businessman desperately trying to reach home for Thanksgiving. Throughout his journey, he is unwittingly accompanied by the gregarious Del Griffith, played by Candy. The film is celebrated for its humor and emotional depth.
Reynolds’ Financial Commitment
To feature the prop, Reynolds contacted Paramount Pictures. Initially assuming he could rent the book for a nominal fee, he was surprised to learn that the cost was $5,000. Undeterred, he decided to cover the expense from his own salary, demonstrating his dedication to the project and his love for Candy’s work.
- Year Released: 1987
- Notable Actors: Ryan Reynolds, John Candy, Steve Martin
- Notable Props: “The Canadian Mounted”
- Cost to Rent the Prop: $5,000
The Book and Its Origins
“The Canadian Mounted,” which features adult themes, was published in 1981. Although it was originally printed as a piece of pulp literature, its connection to Candy’s character has made it an iconic prop. Reynolds’ consistent use of the prop in both “Deadpool” films further cements its status in film trivia.
In conclusion, Ryan Reynolds’ investment in the “The Canadian Mounted” prop exemplifies his respect for John Candy’s influence on his career. This financial commitment reflects a deeper connection to the film industry and the comedic artists who came before him.



