Cinematographer Michael Bauman Discusses ‘One Battle After Another’

Cinematographer Michael Bauman recently shared insights into the making of Paul Thomas Anderson’s epic film, “One Battle After Another.” The project is notable for its vast scope, which took the crew across California and into Texas.
Challenges of a Dispersed Team
The production faced unique challenges due to its multiple filming locations. Bauman, who previously collaborated with Anderson on “Licorice Pizza,” highlighted how the team’s efforts were often spread across different states. This situation sometimes placed team members in different cities, complicating coordination.
- Locations included various cities in California
- Extended to Texas, notably El Paso
Despite these challenges, Bauman noted that frequent film dailies helped unify the crew. Each night, they watched footage to reflect on their work, which was crucial for maintaining team morale.
Film Dailies as a Creative Outlet
Every evening, a specialized projection system was set up to screen dailies in various hotels. This arrangement involved two Super 35 projectors and a VistaVision projector. Bauman explained that these sessions provided an invaluable opportunity for the crew to assess their progress.
Furthermore, these film reviews were not just about watching the visuals. Anderson frequently tested music from composer Jonny Greenwood during these sessions, enhancing the experience. Bauman described it as almost a “live DJ session” where the crew could see how music fit with the scenes.
Collaborative Atmosphere
The combination of footage and music created a relaxed environment for the crew. This collaboration allowed everyone to enjoy a break from the intense filming schedule while also evaluating the movie’s direction.
Overall, Bauman’s reflections emphasized the importance of teamwork and creative engagement during the making of “One Battle After Another.” The innovative approach to daily reviews played a significant role in shaping the film.



