During a recent screen talk at the BFI London Film Festival, Tessa Thompson captivated the audience while discussing her diverse career. This talk took place on a Monday and highlighted her journey from Marvel blockbusters to intimate independent films.
Tessa Thompson’s Admiration for Chris Hemsworth
Thompson expressed particular fondness for her co-star Chris Hemsworth. She referred to him as “a muscular baby,” praising his playful nature. “He’s a very big infant,” Thompson remarked, emphasizing his willingness to do anything for a laugh, which contributes to the joy of their collaboration.
Filmmaking with Taika Waititi
The actress also spoke about her experiences with director Taika Waititi, calling him “a huge infant” as well. She appreciated his childlike approach to filmmaking, although she humorously noted, “he should be stopped.” Thompson highlighted that their collaborative process often requires a sense of pure imagination.
Exploring New Artistic Terrains: “Hedda”
Thompson’s latest project, “Hedda,” is a contemporary adaptation of Henrik Ibsen’s classic “Hedda Gabler.” Directed by Nia DaCosta and produced by Thompson’s company, Viva Maude, this film marks another significant step in her career. Thompson relished the opportunity to take on a challenging role, stating her fondness for projects that terrify her.
She acknowledged the historical lack of representation for women of color in roles like Hedda but clarified that this was not her primary motivation for participating in the film. Instead, she expressed a desire to present Ibsen’s work in a fresh and accessible manner, aiming to attract a new generation of viewers.
Collaboration and Artistic Growth
Thompson’s prior collaboration with director Ryan Coogler on “Creed” also came up in discussion. She highlighted Coogler’s independent filmmaking spirit, even within a large studio context. Their improvisation techniques significantly enriched their performances, showcasing Thompson’s versatility as an actress.
Reflecting on her own on-screen presence, Thompson candidly shared her discomfort with watching herself. Though she used to squint at premieres, she has grown more objective through her experiences in production. She emphasized the significance of the Meisner technique, focusing on the power of silence and non-verbal communication in acting.
- Event: BFI London Film Festival Screen Talk
- Date: Monday, date unspecified
- Project: “Hedda,” contemporary adaptation of “Hedda Gabler”
- Directed by: Nia DaCosta
- Produced by: Tessa Thompson’s Viva Maude
“Hedda” continues its festival journey following its premiere in London, marking another significant chapter in Thompson’s impressive career.
