Elvis Costello Defends Olivia Rodrigo, Criticizes Artists Claiming Others’ Work

Elvis Costello has recently defended Olivia Rodrigo against accusations of plagiarism. He criticized certain artists for claiming ownership of others’ work, reflecting on the collaborative nature of music.
Elvis Costello Defends Olivia Rodrigo Amid Plagiarism Claims
In a recent interview with The Times, Costello addressed allegations regarding Rodrigo’s song “Brutal” from her debut album, “Sour.” Some critics suggested that it bore similarities to his hit “Pump It Up.” Costello dismissed these claims, calling them “too silly to talk about.”
During the interview, he noted his positive impression of Rodrigo. “I met Olivia, and she was lovely,” he shared. He emphasized that the concerns over originality are misplaced, saying, “How could I be arrogant enough to sue on the basis of originality when my song is based on ‘Subterranean Homesick Blues’?”
The Inspiration Behind Music
Costello put forth a historical perspective on musical inspiration. He referenced iconic figures like Bob Dylan and Chuck Berry, suggesting that no one should sue for similarities in their work. He previously defended Rodrigo on social media regarding the alleged similarities, insisting that borrowing elements is a fundamental aspect of rock and roll. “It’s how rock and roll works,” Costello stated.
- Rodrigo credited Taylor Swift, Jack Antonoff, and St. Vincent on “Deja Vu.”
- Swift was also recognized for her influence on “1 Step Forward, 3 Steps Back.”
- Rodrigo noted that she writes from her heart and life experiences.
Rodrigo’s Perspective on Creativity
Rodrigo has also spoken out about these criticisms. She finds it disappointing when people discredit a young woman’s work. “All music is inspired by each other,” she remarked, reinforcing that music is a shared creative experience.
She added, “Nothing in music is ever new. There’s four chords in every song. That’s the fun part—trying to make that your own.” Rodrigo’s creativity was also impacted by personal experiences, as she mentioned experiencing an anxiety attack before her Glastonbury 2025 headline performance.
In summary, both Costello and Rodrigo highlight the importance of recognizing musical influences rather than labeling them as derivative. Their comments illuminate the core principle of creativity in the music industry—building upon the foundations laid by predecessors.



