Review: Bold Staging of ‘Les Liaisons Dangereuses’ Explores Love as Power Struggle

Pierre Choderlos de Laclos’ novel, originally crafted while he served as an artillery officer, dives deep into themes of seduction and power struggles. Set in the opulent salons of 18th-century France, the narrative reveals love as a tactical battle. This timeless story became widely recognized through the 1988 film “Dangerous Liaisons,” featuring actors such as Glenn Close and John Malkovich. Recently, a revamped stage adaptation directed by Marianne Elliott has emerged, utilizing Christopher Hampton’s script first presented in 1985.
Exploring Love as a Power Struggle
Choderlos de Laclos aimed to unveil the immoral nature of the upper classes. Central to the narrative are aristocratic widow Marquise de Merteuil, portrayed by Lesley Manville, and libertine Vicomte de Valmont, played by Aidan Turner. Their plot involves the seduction of two unsuspecting women: the innocent Cécile de Volanges and the virtuous Madame de Tourvel.
- Marquise de Merteuil: A calculating manipulator seeking revenge.
- Vicomte de Valmont: A charming yet ultimately tragic seducer.
- Cécile de Volanges: Innocent and playful, yet caught in a web of deceit.
- Madame de Tourvel: A pious woman torn between desire and shame.
A Captivating Performance
Manville shines in her role, elegantly costumed in a vivid red dress that symbolizes her character’s fierce determination. Her portrayal ranges from a delicate socialite to a ruthless predator, showcasing a powerful emotional arc. In contrast, Aidan Turner’s Valmont displays an Irish bravado, appealing but lacking the venom typically associated with his character. His dynamics shift profoundly as the story unfolds, especially when faced with the devastating repercussions of his seductions.
Monica Barbaro, in her London stage debut as Madame de Tourvel, evolves from an archetype of purity to a woman consumed by love. Her transition underlines the complexity of desire faced by these characters.
Innovative Staging Techniques
The play incorporates choreographed movement alongside spoken dialogue, presenting seduction as a physical sport. An ensemble cast enhances the visual appeal, weaving in and out of scenes. Although the initial segments may appear more aesthetic than passionate, the energy intensifies as the narrative approaches its climax.
Set and Costume Design
Rosanna Vize’s set design combines modern and historical elements reminiscent of “Bridgerton.” The integration of 18th-century erotic etchings alongside a mirrored backdrop enriches the story’s themes of vanity and decadence. Costumes by Natalie Roar further enhance the visual splendor, creating a stunning spectacle.
A Moral Center
Ultimately, the story drives towards the self-destruction of its key characters, emphasizing the destructive nature of their manipulations. This stylish production successfully captures the dark heart of Choderlos de Laclos’ narrative, presenting a nuanced exploration of love as a power struggle.



