Sreenivasan has significantly influenced Malayalam cinema through his remarkable storytelling abilities. Renowned filmmaker Priyadarshan describes him as a friend and mentor. After discussing the screenplay of “Vellanakalude Naadu,” Priyadarshan was impressed by Sreenivasan’s approach to transforming a seemingly mundane subject about legal issues into a successful film. This transformation skill continues to resonate with audiences, as millions still laugh at his films decades later.
Sreenivasan’s Journey in Screenwriting
Sreenivasan debuted as a screenwriter in 1984 with Priyadarshan’s “Odaruthammava Aalariyam.” He has spent 40 years in screenwriting, contributing numerous works to the industry. Before his name appeared in credits, he played a crucial role behind the scenes, contributing to various films as a ghostwriter. His professional journey began with “Mela,” directed by KG George, where he learned the nuances of screenwriting.
Early Contributions and Evolution
While many of his viewpoints were valued in discussions, Sreenivasan hadn’t initially envisioned a career in writing. Acting was his passion, and despite physical limitations, he pursued it diligently. However, minor roles in films like “Panchavadi Palam” and “Angadi” did not fulfill him. His foray into screenwriting began to change the course of his career.
With the growing demands on Priyadarshan, Sreenivasan moved to Thiruvananthapuram to write new films. This was a pivotal moment that steered him toward the world of screenwriting. Sreenivasan humorously reflected, “I was forcibly thrown into the cauldron of screenwriting by the monster called Priyadarshan.”
Breakthrough Collaborations and Success
After the success of “Odaruthammava Aalariyam,” Sreenivasan wrote the screenplay for “Mutharamkunnu PO,” further establishing his reputation. This film’s success attracted numerous projects. Yet, he initially struggled with writing slapstick comedies, feeling it was not his preference. The collaboration with director Sathyan Anthikad marked a significant turning point in his career.
- Successful films from the Sathyan Anthikad–Sreenivasan partnership include:
- “Gandhinagar 2nd Street”
- “Sanmanassullavarkku Samadhanam”
- “Nadodikkattu”
These films addressed serious issues cloaked in humor, tackling societal themes and personal crises. With titles like “Varavelpu,” “Sandesam,” “Midhunam,” and “Vellanakalude Naadu,” he exposed deeper societal decay through comedy.
The Unique Signature of Sreenivasan
Sreenivasan’s screenplays diverged from traditional approaches. His characters emerged from everyday life without fanciful dialogue. This authenticity established a connection with audiences who could relate to the situations depicted.
Humor Interwoven with Social Commentary
While his films showcased humor, they delved into significant social issues, including corruption, unemployment, and bureaucracy. Sreenivasan’s storytelling avoided overt moralizing, instead integrating these themes into the narrative’s fabric.
Portraying Middle-Class Life
Sreenivasan vividly portrayed middle-class existence in his films. He explored the challenges faced by those balancing aspirations with reality in works like “Thalayana Manthram,” “Midhunam,” and “Varavelpu.” His narratives offered a blend of hope amid life’s adversities, articulating the human experience with optimism without resorting to fairy-tale endings.
A Lasting Legacy in Cinema
Sreenivasan’s influence in Malayalam cinema is enduring. He created films that resonate widely, neither as mere escapist tales nor dry intellectual exercises. His detailed craftsmanship and understanding of complex human emotions have carved a niche for him in cinematic history. His characters, often middle-class, reflect the societal anxieties and aspirations of Kerala, making them timeless.
Decades later, Sreenivasan’s films continue to resonate, serving as insightful commentaries on the societal fabric of twentieth-century Malayalam life. They remain essential viewing for future generations, ensuring his legacy endures in the rich tapestry of Indian cinema.
