Brad Pitt’s F1 Film Joins Top US Box Office Racing Movies

Brad Pitt’s Formula 1 film has achieved remarkable success at the box office, establishing itself as a mainstream blockbuster in the United States. Unlike previous racing dramas, this film has resonated with wider audiences, netting approximately $189.5 million in North America and contributing to a global total of $631.5 million.
F1 Film Proves Its Dominance
At the United States box office, Pitt’s F1 film has outperformed notable competitors in the racing genre. Notably, it surpasses Ford v Ferrari, which earned $117.6 million domestically, and Rush, which totaled $26.9 million. This performance makes it the highest-grossing racing film for the global market.
Comparison with Other Racing Films
The film’s success in the US is remarkable when compared to other motorsport films:
| Film | Year | US Box Office (approx.) | Global Box Office (approx.) |
|---|---|---|---|
| F1 | 2025 | $189.5 million | $631.5 million |
| Ford v Ferrari | 2019 | $117.6 million | $225.5 million |
| Rush | 2013 | $26.9 million | $98.2 million |
| Cars | 2006 | $244.1 million | $462.0 million |
| Cars 2 | 2011 | $191.5 million | $562.1 million |
| Talladega Nights | 2006 | $148.2 million | $163.4 million |
| Days of Thunder | 1990 | $82.7 million | $157.9 million |
F1 Film: A Historic Milestone
Despite its achievements, the F1 film lags behind animated family films, such as Cars and Cars 2, which generated $244.1 million and $191.5 million in the US, respectively. However, it secures the title for the highest-grossing live-action racing movie.
Internationally, the film’s appeal soars, highlighting the global interest in Formula 1 racing. It has overtaken Cars 2 to become the top-grossing racing film worldwide.
Pitt’s Career-Defining Success
As a result of its box office performance, this film has become Brad Pitt’s highest-grossing film to date. Although inflation adjustments may indicate varying performance metrics for older titles like Talladega Nights and Days of Thunder, the figures present a compelling case for the film’s significant impact in the racing genre.



