Sabrina Carpenter Condemns Trump White House ICE Video Using Her Song ‘Juno’

Sabrina Carpenter has publicly condemned the White House for using her song “Juno” in a video related to ICE deportations. She expressed her outrage on X, calling the video “evil and disgusting” and asserting that her music should not be used to support an “inhumane agenda.” The video, released on Monday, showcases ICE officers detaining individuals with Carpenter’s song playing in the background.
Sabrina Carpenter Condemns Trump Administration’s Use of Her Song
In her response, Carpenter emphasized her disapproval, stating, “Do not ever involve me or my music to benefit your inhumane agenda.” This sparked a heated reaction from Abigail Jackson, a spokesperson for the White House. Jackson dismissed Carpenter’s concerns, responding, “We won’t apologize for deporting dangerous criminals from our country.”
Context of the Controversy
The video by the White House includes various images of immigration enforcement activities. These visuals, paired with the lyrics of “Juno,” triggered outrage from Carpenter and potentially others. Instead of defending their message, the White House attacked Carpenter for her perspective on the portrayal of deported individuals.
Past Incidents with Music Artists
This incident is not isolated. Other artists have also voiced concerns about the unauthorized use of their music in politically charged content. For example, Kenny Loggins recently objected to the use of his song “Danger Zone” in a video featuring Trump. In October, Loggins asserted that the use of his performance was unauthorized and requested its removal.
- Artist: Sabrina Carpenter
- Song: Juno
- Event Date: Video released Monday
- Response from White House: Abigail Jackson statement
- Similar Incident: Kenny Loggins and “Danger Zone”
As artists continue to see their music utilized in ways they do not support, the conversation around creative rights and political messaging deepens. The situation highlights the ongoing tensions between artists and political entities, especially regarding the music industry’s role in social issues.




