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Sheridan Smith Shines in West End’s Outdated Tragicomedy ‘Woman in Mind’

Sheridan Smith stars in the West End production of the classic tragicomedy, “Woman in Mind,” a play by Alan Ayckbourn. This production offers a unique blend of humor and tragedy, examining themes of women’s mental health and societal expectations. Smith, already acclaimed for her performance in “Shirley Valentine,” portrays Susan, a woman in crisis.

About “Woman in Mind”

Originally written in 1985, “Woman in Mind” explores the psyche of Susan, who suffers a nervous breakdown. The narrative begins with her lying on the ground after an accident. As the solicitous doctor, played by Romesh Ranganathan, arrives, Susan’s mind transports her to a more comforting reality.

Characters and Setting

  • Susan: Portrayed by Sheridan Smith, she grapples with her mundane existence.
  • Doctor Bill: Romesh Ranganathan in his stage debut, he attempts to assist Susan.
  • Andy: Susan’s flirtatious husband, played by Sule Rimi.
  • Lucy: Their affectionate daughter, portrayed by Safia Oakley-Green.
  • Gerald: The distant vicar husband depicted by Tim McMullan.
  • Muriel: The grumpy sister-in-law, featuring Louise Brealey.
  • Rick: Their estranged son, characterized by Taylor Uttley.

Production Elements

Directed by Michael Longhurst, the production employs innovative staging techniques. Characters appear beneath a floral safety curtain, which signifies their unreal nature. Costuming contrasts bright, whimsical attires for imagined family members against the drab clothing of Susan’s real-life surroundings.

Visual and Thematic Contrast

The garden setting reflects Susan’s mental state, transitioning from warm and vibrant when she is in her fantasy to dark and oppressive as her reality unfolds. The lighting by Lee Curran enhances these shifts, while video designs by Andrzej Goulding contribute to the illusion of Susan’s struggles.

Critical Reception

Despite the play’s effective blend of comedy and domestic drama, it faces challenges with its contemporary relevance. Critics note that some character portrayals, especially the vicar and sister-in-law, may seem exaggerated or unrealistic in today’s context. Susan, portrayed by Smith, feels particularly modern, raising questions about her aspirations beyond the confines of traditional domesticity.

Conclusion

Sheridan Smith delivers a poignant and compelling performance in “Woman in Mind.” Her ability to embody Susan’s complex emotions enhances the narrative’s depth. While Ayckbourn’s work remains insightful, its characters sometimes reflect a bygone era, inviting discussion on the evolution of women’s roles and mental health in society.

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