The ongoing debate in rock music revolves around the future of the genre and the actors who influence its direction. Recently, Justin Hawkins, lead vocalist of The Darkness, has voiced concerns regarding Yungblud, whose real name is Dom Harrison. These comments arise from the perception that Yungblud is being positioned as a successor to rock legend Ozzy Osbourne.
Justin Hawkins’ Views on Yungblud
Justin Hawkins has expressed skepticism about Yungblud’s claim to rock heritage. He worries that if the future of the genre is rooted in musical theatre influences, it may pose a threat to its authenticity. Hawkins stated, “If the future of rock comes from musical theatre and Disney, if this is Ozzy’s heir, we’re in trouble.”
Background of Yungblud
Yungblud gained initial fame through his role in the Disney Channel series, The Lodge, which aired from 2016 to 2017. In the show, he portrayed the character Oz, a fun-loving rocker. Despite transitioning into a more edgy music career, Hawkins and his brother Dan still associate Yungblud with his commercial beginnings.
Comparing Rock Futures
- Yungblud has collaborated with established artists, including Aerosmith, on the One More Time EP.
- The Darkness critiques Yungblud’s musical style, particularly his reliance on auto-tune, labeling it as “a bit shit.”
- Justin indicates that if auto-tune is required to support a song, it signals trouble for rock music.
Public Reception and Performances
Despite carrying a mixed reputation, Yungblud showcased his vocal ability at Black Sabbath’s Back To The Beginning show. His rendition of “Changes” was praised by critics, highlighting his unexpected talent. However, the Hawkins brothers remain unconvinced about Yungblud’s place as the heir to Osbourne’s legacy.
Support from the Osbourne Family
Interestingly, the Osbourne family appears more open to the idea of Yungblud as a representative of their iconic patriarch. In a recent interview, Sharon Osbourne revealed a deal was in progress for a film based on Ozzy’s life. When asked about potential actors, she hinted at Yungblud with a knowing smile, although she refrained from confirming any specifics.
Conclusion
The discussion around Yungblud’s role in the future of rock reflects larger tensions within the genre. While Justin Hawkins believes that musical theatre influences may dilute rock’s integrity, the juxtaposition of opinions from the Osbourne family complicates the narrative. Whether Yungblud can truly claim the mantle of “Ozzy’s heir” remains a contentious point in rock music discourse.
